The Emergence of Indie Films

This kind of "artistic" victor (not to mention all the financial success that Oscar recognition earns) has genuinely made many of the major studios gobble up free lance film companies because their typically macroscopic-budgeted "event" films are a wide financial risk and have been traditionally ignored by Oscar.

The second reason the independents are on the rise is because at that place are many more outlets for film release in today's marketplace. Not only is there the world(a) market, there is ikon release, more television and cable networks, Internet capabilities and even a channel solely devoted to Independent films, The Independent exposure Channel, "the first definitive network devoted to films made extraneous the Hollywood studio system: films with a personal, artistic and unbending point of view" (The Independent 1). Traditionally, Hollywood could produce films at a major studio that were financially successful and all the same garnered critical acclaim. Gone With The Wind, Casablanca, The Godfather, E.T., and others come to mind. However, these types of films have been "dumbed" mound straight that Hollywood is more driven by MBAs intent on squeezing every nickel out of a "big" film than focusing on character, plot and story line. long films with enormous budgets, like Waterworld, Godzilla and others have not only been dumbed down in an attempt to appeal to a mass global audience, but they have lost million

Arkoff, S.Z. "Look At It This Way: Another ?Alien' Finances 12 More ?Fargos'.

" Los Angeles Times. March 3, 1997: (Metro, p. 5) 1-2.

"The Independent Film Channel." http://www.rainbow-media.com/rainbow.ifc.info.html Jan. 20, 1999: 1-2.

Troy, P. "Robert Redford talks Scripts, Independent Film and Sundance." http://www.wga.org/journal/1996/redford.htm Jan. 20, 1999: 1-6.

Movie executives utilise to come into the business with at least the pretense of loving the art form. Now they come into it with MBAs from Wharton and a love of cost-benefit compendium and synergistic financial models. As the studios have grown into global conglomerates, their people have become more market driven and less creative. When I entered the business under Darryl F. Zanuck, there were no marketing meetings. No member of the sales organization was permitted to aver a script. God forbid they should go to the dailies. That was unthinkable.

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