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Friday, March 15, 2013

Hope for the Hopeless

Leonard Cohen is known for many feats in the world of literature and the Arts, but he is perhaps some known for songs such as Suzanne, a widely covered musical single from the 1960s. This shew will focus on comparing The Language of fuck and Your Death, two poems from a 1978 compilation of Cohens poetic kit and boodle entitled Death of a Ladys Man, which features a series of verse poems and prose poems, each exploring themes such as politics, sexuality, the marrow of art and cultural criticism. Cohens writing style tends to be branded with a uniquely wry wit and sapience; while often bristling with an unforgiving bluntness, his work also systematically delivers an unquestionable eloquence and sensitivity. The aforementioned works can be compared in many ways, but what is perhaps the nigh evoke contrast between the two is TLOLs tendency to actuate us of the uniqueness of the individual and the beauty found in everyday surroundings, while Your Death illustrates the futility of life and the insignificance of the individual.

This is made of poetry. My most random conversation with a snowflake is made of poetry.… head off fingerprints and snowflakes, there is only one of each. These lines are among those in TLOL that correspond the sensitivity that is innate in ofttimes of Cohens work.

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maculation the lines before and after these in the poem do remark a darkness - Lament for a confused rooter and for the uncultured bullies among us who persecute artists, the impatience that even the most compassionate can assume after a dour life of hardened pragmatism - there is a compulsive connotation to the use of the snowflake as a symbol. ..fingerprints and snowflakes… Cohen reminds us that every individual is unique in many complicated ways, just as the snowflake is. This imagery works as a seed for the broader philosophical implication that there is much beauty in the world, often in unexpected places.

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