        Aeschylus delectation of slantedness and agility as a accordant image in the Oresteia depicts a progression from evil to goodness, disturb to order. In the Oresteia, there exists a situation among mortals which has gotten out of pick up; a cycle of death has arisen in the dwelling of Atreus. thither also exists a divine disorder within the figment which, as the situation of the mortals, must be brought to resolution: the Furies, an sr. generation of gods, are in conflict with the younger surpassing gods because they have been refused their ancient right to avenge butchers between members of the alike family. The Oresteia presents two parallel conflicts, both of which must be dogged if harmony is ever to be desired again. As wiz can expect, these conflicts eventually do find their resolutions, and the images of darkness and light accompany this progression, thereby emphasizing the movement from evil to good.
        The use of darkness imagery premier emerges in the Agamemnon. In this first play of the trilogy, the cycle of death which began with the murder and consumption of Thyestes children continues with Clytaemestras murder of Agamemnon and Cassandra. The darkness which is present in the beginning of the story is only magnified by the death of Agamemnon.
This is illustrated when Clytaemestra says, Thus he [Agamemnon] went down, and the deportment struggled out of him; and as he died he spattered me with the dark red and violent driven rain of bitter savored dividing line (lines 1388-1390). Clytaemestra has evilly and maliciously murdered her own husband; so the image of the dark blood. The darkness is representative of the evil which has permeated the house of Atreus, and which has persisted with this latest gruesome act of murder. Because darkness results from the death of Agamemnon, Aeschylus distinctly illustrates...
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