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Wednesday, November 7, 2012

American Society of the 1950s

Despite these changes in the Statesn association with respect to family life, family life in 1950s America might appear better through the rose sloped lenses of memory than it was in reality. This is particularly true if the film Pleasantville is to be taken as truth. Pleasantville demonstrates that far from being an regardd, utopian guidance of existence, family life in 1950s America was quite limiting. Family int eraction often bordered on the superficial, with little exploration or time given to serious issues or personal matters. We recognize this most humorously when Dave (who becomes Bud) and Jennifer (who becomes Mary Sue) ar transported back in time to the society depicted in the TV limn Pleasantville. For example, when their Twilight Zone-like father George Parker comes kinsperson every night, he does so at the same time and greets the household with the same greeting, "Honey, I'm home" (Ross 1998). Such trite and superficial interactions are backed up with canned laughter, almost as if to input signal on how besotted interpersonal relations could be in a society that did not question its values beneath appearances.

While Jennifer is repulsed at being Mary Sue, her brother Dave initially loves being Bud. He is a child of the broken-home, single-parent 1990s. He yearns for the i bear family life and neighborly structure of 1950s America as witnessed in Pleasantville. He believes the certainty of life in the 1950s offers


In conclusion, we can readily recognize that Pleasantville is a satire on 1950s family life in American society. The director is sharing the message that superficial appearances are not what they seem on the surface. The people living in Pleasantville are only happy because they know nothing deeper than what they are told or allowed to do. When they discover this is confining and not expanding, they become unhappy until they hold their kindred spirits or fulfill their own ambitions and desires. So too, the movie teaches us that when we look back at an era we often tend to idealize it. We not only idealize it but sometimes try to recreate such(prenominal) a condition when such conditions are no longer possible. As David tells George Parker, "People change," (Ross 1998).
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Perhaps change is the only sure never-ending for family life and society. It may not be easy to deal with but it adds color to an otherwise black and white existence.

Ross, G. (Director). Pleasantville, (Film). USA, 124 min., 1998.

Something is hap in Pleasantville, as the Chairman of the Chamber of Commerce notes. Yes, something is natural event in a town where nothing ever does. The director's comment underlying this "happening" is that sometimes pleasant people are pleasant because they give never been aboundingy challenged. Yet such a freedom is often perceived as weighed down and scary, which is why some people in Pleasantville are stanchly opposed to any form of change. Yet the film is move to demonstrate that such change is inevitable and must be embraced for people to grow and actually lead happy and full lives. We see this most forcefully when David and his real mother have an exchange. David's mother is still hurting over the loss of her illusions. In many ways, raised to believe family life was something straight step forward of Pleasantville, his mother cannot get passed her broken illusions and grow. Because of his insights from Pleasantville, David now knows how to console his mother. We see t
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